Caravaggio: the original sinner (by Andrew Graham-Dixon)

He was named after an angel, yet Caravaggio led a louche existence in the shadows of a society where prostitution, violence and murder ran rife. A revelatory new biography sheds some much-needed light on the artist’s dark life. Caravaggio’s art is made from darkness and light. His pictures present spotlit moments of extreme and often agonised human experience. A man is decapitated in his bedchamber, blood spurting from a deep gash in his neck. A man is assassinated on the high altar of a church. Faces are brightly illuminated. Yet always the shadows encroach, pools of blackness that threaten to obliterate all. Caravaggio’s life is like his art, a series of lightning flashes in the darkest of nights. He was one of the most original artists ever to have lived, yet we have only one solitary sentence from him on the subject of painting – the sincerity of which is, in any case, questionable, since it was elicited when he was under interrogation for the capital crime of libel.  Much of what is known about him has been discovered in the criminal archives of his time. He lived much of his life as a fugitive, but is caught, now and again, by the sweeping beam of a searchlight. Caravaggio throws stones at the house of his landlady and sings ribald songs outside her window. He has a fight with a waiter about the dressing on a plate of artichokes. He taunts a rival with graphic sexual insults. He attacks a man in the street. He is involved in a fatal swordfight…. READ MORE ON TELEGRAPH.COM

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s